Category: Television (Page 1 of 5)

13 Reasons Why

The Show

Based on the debut novel by Jay Asher, 13 Reasons Why is a gut-punching, no-holds-barred look at suicide, bullying, and other issues that teenagers (and the parents and other adults) deal with.

Season 1

The first season is based on the novel, and like its title suggests it revolves around the 13 tapes (ie “reasons”) that Hannah made before she committed suicide. In the first episode Clay Jensen receives the tapes and begins listening to them; he is not the first to listen to them, nor will be the last. As he listens to each tape, Clay learns more about Hannah’s thoughts and feelings concerning the students they both supposedly knew.

As the episodes and tapes go by, we learn more about the other students, as much as if not more than Clay and Hannah. But, the focus tightens back onto the two of them as we get near the season finale, ending with a brutal and emotional final episode.

For those who watched it when it was first released, it shows on-screen the horrific way Hannah decided to end her life. More recently, the episode has been edited, removing the actual act and cutting (the editing term, also an unfortunate pun) to when Hannah’s mom discovers her in the tub. It’s hard for me to judge if that was the right decision or not (that’s up to mental health professionals to debate); I do know the original scene was emotional, raw, and unlike anything I’d ever seen, including any horror movies. I do believe the scene needed editing, but I think only the actual shots of the suicide act should have been removed; we should still see the pain and perhaps regret in Hannah’s face as it happens.

Season 2

Jumping off from the events of the first season and the book, the second season is all about the trial of the Bakers versus the school district. Justin has left the school and picked up (or resumed?) a heroin habit, and everyone else is judged not just in court but at school (as usual) and even at home.

Clay is rightfully unable to deal with Hannah’s death, and in his own coping mechanism begins to imagine she’s still around and even talks to him. While some people pick up on it, they don’t really say anything to him about it (at least in this season). It does obviously interfere with his potential relationship with Skye, which ends as abruptly as it began.

Building up to the climax and end of the season, we see a character become more interested in guns, and apparently enough money and ways around the law to start hoarding all kinds of weapons. In the final episode, this character arrives at the school dance, ready to open fire on everyone. Only Clay stands in their way, begging them not to do it and taking the rifle. As everyone else including the potential mass-murderer flees at the sound of sirens, Clay loses any sense of common sense and remains still, the rifle in his hands.

Season 3

Depending on who you talk to, the third is when the show jumped the shark. After my second viewing, for me it’s a mix of that along with simply getting tired of and burning out on the characters, the excess drama, and other little things I notice more and more of. It also marked the debut of the Ani character, and pretty much anyone you ask will remark on the absolute xxxx of her (including comments such as “Who the hell is this girl and why is she butting herself into everyone’s problems” and “I’m sorry, is she and her mom actually living with a known rapist?”).

Tagging along with Ani, Clay goes around and accuses literally every main character of killing Bryce. Apparently evidence isn’t a thing for him. Later on Clay suddenly becomes a friend to Tyler, who confides in him about what Monty did to him.

There is one remarkable thing about this season, however, that I must mention: it did somehow make me have just the tiniest sliver of sorrow for Bryce. Seeing his interaction with his mom, and going into more depth of that family’s problems, is certainly the highlight of the season. I did like learning more about that, and would get frustrated when it would cut back to more Ani-Clay melodrama.

The season ends with a dramatic reveal of who actually killed Bryce. Showing the actual events, it’s hard to empathize with Bryce; no-one deserves to die, but the fact that even at the end of his life he continued to say such hateful things.

Season 4

The fourth and final season… Woo boy, how to summarize it… Clay is officially off his rocker, and apparently nothing of consequence happens to anyone. Oh, and Alex is gay (nothing wrong with that, but with zero clue of this in the first three seasons it feels like a cheap attempt to try to further develop his character).

To be truthful that’s all I can recall about this season, and I have no intention or desire to re-watch it. After the first two seasons, this show was starting to over-reach and over-dramatize, and by the end of this season it was just too much to try to comprehend. The first season alone still stands as an example of a near-perfect adaptation, and it alone can be watched and enjoyed. The rest can simply be ignored.

The Book

Compared to the Netflix adaptation, the original book is far less dramatic, especially when it comes to Clay. Roughly following the same sequence of events and timeline as the first season of the show, the book focuses on Clay and his reaction to hearing Hannah’s tapes.

The biggest difference in the book is that Clay doesn’t take his sweet-ass-time listening to all 13 tapes; rather, he does it all in one day! Clay will often think back on his fellow students, but there’s never any actual scenes or chapters with them. The only direct interaction he has is with Tony, and even then it doesn’t seem like they’re very good friends, rather just long-term acquaintances. There’s also a brief interaction with his parents, but most of the book is Clay alone with Hannah’s tapes.

Overall I vastly prefer the book to the show, as under-developed as it seems in comparison. More is left to the reader’s imagination, and to make up their own mind of each character mentioned in each tape. I’ve read the book several times thanks to my library’s OverDrive page, and I will likely purchase my own copy (either on Kindle or paperback).

Stranger Things 2

In August 2016 Stranger Things debuted on Netflix, and I was quite pleased with it. The second season returned in the fall of 2017, and things have moved to a slightly grander scale. Most characters are back, and there are a couple of new additions as well. I’ll dig into things a bit more this time around, so beware of spoilers ahead!

The Boys Are Back (But Not Together)

When the first season ended, everyone was back in Mike’s basement, playing D&D and having a great time. When the second season starts, I expected at least something similar, if not nearly the same thing. But that’s not the case; the boys are each dealing with their own thing, concerning growing up and losing interest in childhood favorites, including D&D.

Dynamic Duos

Something I really noticed in this season is that the characters tended to break off in pairs for at least an episode. I think if it was a conscious decision it was smart, since there’s so many characters we needed to focus on just a few at a time to really get any development. Of course some had more plot involvement and focus than others, but at least a decent amount of time was spent on each character and how they interacted with at least one other key character.

Eleven and Hopper

At the end of the first season Hopper leaves food and waffles in a box out in the woods. Somehow he knew Eleven was still alive. But it did make me wonder how Hopper knew that as well, as waffles being her favorite food, considering they never met in the first season.

In the second season Hopper finds Eleven and brings her to his old family cabin, abandoned since his uncle died. As a substitute for his own deceased daughter, Eleven evokes a wide range of emotions from Hopper, among them anger and frustration as Eleven is not only dealing with her powers and experiences in the lab, but also as a teenage girl. There are some genuinely tense moments as they argue with each other, but no matter what you know they still care and worry about each other. This certainly builds the tension and increases the audience’s emotional investment in the final episode, as it’s these two that must enter the lab and descend into the hole to seal the gate.

Nancy and Jonathan

In the first season Nancy was dating Steve, and while he was first quite mean to Jonathan, Nancy regarded him in a gentler and curious manner. Jonathan was obviously different from Steve, and despite his misunderstood intentions with his camera he became a close confidant to Nancy, even though she was still enamored with Steve, especially at the end of the first season when all three of them battled the creature in Jonathan’s house. The last scene of them showed that together they gave a new camera to Jonathan. Later they snuggled on the couch while Jonathan spent time with Will and Joyce.

In the second episode of this season, Steve and Nancy attend a Halloween party; Nancy gets very drunk and expresses her true feelings about Steve, resulting in their break-up. After this is when Jonathan and Nancy begin to hang out and their relationship evolves into a romantic one.

Steve and Dustin

This has become the most popular duo of Stranger Things, and Steve might even be more popular than Eleven! Steve and Dustin are the outcasts of their groups, and as they reluctantly spend time together they bond over troubles with girls, school, family (although I’m pretty sure we never see anything of Steve’s family), and more. Dustin quickly becomes more of a younger brother to Steve, and Steve offers both protection and guidance. One great example is at the end the season when Steve drops Dustin off for his school’s winter dance, encouraging him to be cool and act naturally. While Steve himself is ultimately left without a romantic partner nor a same-age friend/confidant, he has become the father figure and leader of the group.

Mike and Will

They are the two underdogs of Stranger Things. Poor Will is the primary victim of the creature, and Mike is stuck between his friends and growing affection for Eleven. As Will’s experiences with the upside-down attract the attention of the monster and must ultimately be confined, constrained, and nearly tortured in order to be rescued yet again, it does give Noah Schnapp a chance to have more screen time and flex his acting muscles. When he finally abolishes the creature from within, it is nothing short of chilling; you absolutely believe he was possessed.

On the other hand, this season it is Mike’s turn to be the extraneous character. With Eleven away and his friends dealing with their own things and budding relationships, Mike is ultimately left twiddling his thumbs. Sure, he helps out when needed, but ultimately his character just doesn’t do anything vital.

Lucas and Max

I didn’t think the group would have a new member this season, but in hindsight it’s a great move, and not just because it’s another girl to play off of Eleven. As a nice contrast to the mean and increasingly-evil Billy, Max starts off as a natural outsider, save for at first unwanted attraction from both Lucas and Dustin. Spending more time at the arcade and of course at school, Max gets drawn in to the group and the town’s supernatural happenings.

Joyce and Bob

“Easy peasy.” Oh Bob, you are a beacon of light and hope in this dark and strange world (just like Sean was as Sam in The Lord of the Rings!). After the first season, Joyce apparently met Bob, who works at the Hawkins Radio Shack. A guru of electronics, computers, and puzzles, Bob brings a stability to Joyce, Jonathan, and Will that they’ve badly needed. While he and Joyce get along quite well, I felt that he was really trying to connect to Will, relating to getting bullied, recurring nightmares, etc. Throughout the season Bob remains a steadfast ally, even going so far as taking the most risk and sacrificing his life to allow the others to escape the lab.

Joyce, meanwhile, takes a bit of a back seat this season. She’s still present, of course, but her role isn’t quite as “critical” as Will is now back home, even though not out of danger. Most of her screentime is interacting with Bob or Hopper, especially in the final episodes when dealing with the aftermath of Will’s battles and Bob’s demise. There’s a long-standing friendship between Joyce and Hopper, and it’s left open that more might develop between them next season.

The New, Open Lab

One thing that immediately jumped out at me was the first time the lab was shown this season. In contrast to the dark secrecy in the first season, here the lab under the direction of Paul Reiser’s character Dr. Sam Owens is much more accessible, and no doubt he’s on a tighter leash with more proactive management from the government. Hopper, along with Joyce and Will, seem to be frequent visitors, trying to learn more about what happened along with Dr. Owens and the rest of the lab figuring things out themselves. In typical fashion the scientists are pretty much clueless to what’s happening, and it will end up being Hopper and Joyce, along with the kids, who will figure things out and save the day (again).

The New Villains

The mind flayer is the new big baddie this season. As another D&D-based monster, this one doesn’t seem quite as menacing, even through it’s physically much much larger. Unlike the demogorgon, which was actually in the Hawkins area and stalking its victims, the mind flayer is peering in from the upside-down, and always seemed to feel like the evil man twirling his mustache.

In contrast to the mind flayer, we have a very real and human villain in Billy, Max’s sister. A fellow student at Hawkins High, Billy impresses the girls and seems to dominate the basketball team. At home, it’s apparently nothing but metal music, working out, smoking, and drinking. Ah, youth. While he may be more bark than bite this season, it seems there’s more in store for Billy next season.

A Slight Detour

About three quarters of the way through the season we get an entire episode of Eleven in Pittsburgh, who has encountered other “lost children” with various powers. Many have criticized this episode as feeling like a “Marvel or Avengers wannabe”, and in some aspects I can agree with that. I do also get the feeling Netflix and/or the show creators used this episode to put out the feelers for a spin-off show. Either way, this episode fell flat, and since none of it has to do with Hawkins I felt it was entirely unneeded. While it does provide a little bit of development for Eleven, I feel that could have been done in another way while still being in or near Hawkins (and why Pittsburgh and not Indianapolis?). One way could have been for Kali to sense and come to Eleven in Hawkins, and demonstrate her powers as well as provide her own history/background while together.

Closing the Gate

In the last two episodes we come to the climax and aftermath of the second season. As mentioned above, part of the group converges on the lab, fighting the mass of demodogs and get Eleven to the gate in order to seal it. This is a bigger and grander climax than the first season’s, and the imagery of Eleven rising into the air, along with the converging shadow shape at the almost-opened gate, is simply stunning and hair-raising. It’s exactly what encapsulates the show the most, all of the nostalgia and teenage banter set aside.

The other part of the group is trying to help Will, going as far as to tie him up and almost literally cook him to death. Finally the mind flayer’s “essence” is driven from Will (uhhh but where does it go?), and it seems that once and for all he can begin to recover and go back to just being a kid.


The first season of Stranger Things came in swinging like a ton of bricks, combining excellent writing, acting, and prop/set design along with a huge dose of nostalgia (starting with that opening theme!), and ended on a pretty large cliffhanger and leaving lots of unanswered questions. The second season started off pretty well and didn’t take long to get going. There were some key moments, but overall I have to admit it just didn’t feel quite the same. I think it’s inevitable, with such a popular debut, and trying to keep that going. After we’ve had that glorious hit of nostalgia, it does slowly wear off, and we can’t help but take a deeper and more critical look at things. Our expectations were set so high, quite unrealistically, and starting with the second season it does bring them back down to a more reasonable level.

Luckily, the characters and story do hold up overall, despite a few negatives and nags. Now it’s on to the third season!

The Mandalorian

This Is The Way

Speaking of Star Wars, you’ve watched The Mandalorian, right? C’mon, baby yoda! From Jon Favreau, Monica’s rich but delusional boyfriend (“What kind of ring did you think it was?”), this mini-series is EXACTLY what Star Wars (and Disney+ to get off to a strong start) has needed for a long time. A looooong time. We have a nobody main character scraping by in a universe in the tattered remains of the Empire’s “defeat” after Return of the Jedi, taking bounty-hunting jobs no matter the target. We see a realistic world where the Empire’s defeat has so far had little effect on anything beyond the core systems (and likely ever will). There is still deception, fighting, and death.

Along with “Mando” are some memorable side characters. Besides the wildly-popular “baby yoda” there’s roles performed by Carl Weathers, Werner Herzog, Nick Nolte, Taika Waititi, and Gina Carano. What I really like about this show is that it IS about the characters. Yes the cinematography and effects are great, and there’s some interesting settings and such, but in the end it’s about the actions Mando and the others take, and that’s what’s needed in an interesting and refreshing show (or even a movie) set in a now long-established and frankly increasingly-stale universe that frankly shouldn’t be. This is the way Star Wars should be moving, and I hope the future series and movies take notice.

This is the way. I have spoken.

The Good Place Season 3

The third season of The Good Place finally landed on Netflix, and my wife and I devoured it in a few evenings. Unfortunately, I didn’t feel the magic of this show and cast as I had with the first two seasons. Kristen Bell is still a delight, but I’m not sure if she had far less screentime or what, because by the season finale I barely cared about her and Chidi. Make no mistake, the few times when the goofy and over-bearing jokes were set aside and the focus returned to Eleanor and Chidi, with genuine emotion from those characters, we do get a glimpse at something that I really wanted more of. Whether it was the short number of episodes and/or the crowded cast, this season has put this show in a precarious position for me. I think far too much time was spent on Jason and his dumb Floridian family, along with Tahani’s relationship with her sister. I just. Didn’t. Care. Get rid of them, and even Janet, at this point. I only care about what happens to Eleanor and Chidi. I also tip my hat to Ted Danson, who along with Kristen Bell absolutely carries this show. His character coasted a little bit too much this season, but I honestly do want to see what happens to him, and if he’ll be redeemed or is forever trapped in a demonic, and if going by this show moronic, hell.

Black Mirror Season 5

Note: as always there be spoilers ahead!

Since the release of Bandersnatch I’ve been clamoring for more Black Mirror, and in June Charlie Brooker, Annabel Jones, and Netflix granted my wish true. So, with a break since season 4 and the quite-different Bandersnatch, how does this season compare?

Striking Vipers

Like any Black Mirror episode, this one touches on many current and near-future technologies, including VR and immersive gaming. It also, with a predominantly black cast, touches upon something else: the sub-culture of Down-low. Now, in this day and age, especially on a “network” (ie streaming platform in this case), it’s not outlandish to address a non-heterosexual fetish/idea/culture, but even in a show with an episode focused on a lesbian relationship (San Junipero, in my opinion still the best episode of this series), a male minority homosexual relationship is still quite a leap, at least in my eyes.

In this episode, college friends Danny and Karl reunite at a birthday party for Danny. The two are almost complete opposites now: Danny the family man and respectable career, and Karl still the bachelor. Karl gives Danny a birthday gift, the VR fighting game Striking Vipers. When Danny begins to play, Karl sends a play request and the two begin to spar, enjoying the competition and re-kindling friendship. However (this is Black Mirror, you were waiting for the “however” right?) the realism goes too far when one of them plays a female character, and while fighting the two begin kissing and become romantic. While odd at first, neither can deny how real (and good) it feels, and before long both are addicted to this unforeseen side of the game. Their relationship with each other, along with each relationship’s with women, is the heart of this episode. It think it handled it in a mature and interesting manner, and overall this is a strong episode.


In this episode we get what I feel to be “true” Black Mirror, with a plot and feel very similar to Shut Up and Dance. A cab driver, Chris, takes his passenger hostage and demands to speak to the CEO of the company, the Twitter-like Smithereen. Blaming him and the company for the death of his wife, this episode focuses on the dynamic between Chris and Billy over the phone. Chris is stuck in a field surrounded by police ready to end the hostage situation, while Billy is off on a technology-free retreat and only through his employees’ phone and laptop does he access Chris’ info and social media history. The dialogue is prime Black Mirror, never letting the viewer have relief and keeps him or her interested all the way until the very end. Overall this may not be an exciting episode, but it’s exactly what Black Mirror is, and for a newcomer to the show it would make a perfect first episode to watch.

Rachel, Jack, and Ashley Too

While Striking Vipers might be the most divisive episode of this season, this episode has probably garnered the most negative criticism and outspoken reviews. In my opinion it’s not terrible per-se, but it’s certainly the weakest episode of this season, and one of the weakest Black Mirror episodes period. The writing, acting, and overall plot just isn’t interesting and didn’t get me to emotionally invest like pretty much every other episode has done.


I am very happy we got a few additional Black Mirror episodes, as varied in quality and re-watchability as they are. As someone who really enjoyed season 4 and Bandersnatch, I had pretty high expectations for this new season, and I can’t say that much of it was met. But, I do hope the viewership and overall reception will indicate to Netflix to let Charlie, Annabel, and crew to continue making new episodes, tackling new and otherwise evolving issues in our technologically-advancing world.

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