I only discovered Adrian’s movies thanks to playing the Silent Hill video games. After playing them and wanting more of that atmosphere and story, I looked online at similar games, films, and books. One of the first and most common replies, as far as film went, was to watch Jacob’s Ladder. I eventually did, and my mind was blown away. Since then I’ve watched two more of Adrian’s films, and while he hasn’t done much lately he is undoubtedly one of my top directors of all-time.
Quote from Sleepless in Seattle: “Well I saw it and it scared the shit out of me! It scared the shit out of every man in America!”
That quote should pretty much sum up this movie. Just as Sleeping With the Enemy was a look at a disturbed and abusive man, in Fatal Attraction we see the same in a woman, albeit in a different situation. This movie covers sexual urges and acting upon them, infidelity, honesty and communication, and much more.
Michael Douglas stars as a lawyer in New York, living the good life with a picture-perfect family. At a publisher’s book release party he encounters Alex Forrest; she quickly starts to flirt with him and he doesn’t exactly discourage it. As time goes on life at home doesn’t seem so perfect and he sees Alex a few more times, and inevitably he gives in to her advances.
Well, Alex is a tad cray-cray. Hence the term bunny-boiler. After Michael comes to his senses he stops the affair and assumes that’s that, but Alex doesn’t accept it’s over. After harassing him and his family, including spending the day alone with his daughter, Michael has no choice but to tell his wife about the affair. He is of course kicked out, but eventually they reconcile, and not too far from a dramatic conclusion to the movie.
As with Adrian’s other movies, what struck me the most was the framing and lighting of this movie, especially the contrast between the lighter and comforting home life and the darker and increasingly-sinister affair. The pacing of the movie is excellent; little things here and there start to go wrong, not seem right, and then it continues to build all the way until the final confrontation in the house.
As mentioned above, Jacob’s Ladder was undoubtedly one of the key influences on the Silent Hill video games, and not just because of the subway similarities. In a similar plot to Silent Hill 2, in Jacob’s Ladder a former Vietnam soldier starts to see things that don’t make sense, and through key events and meetings begins to suspect what the true meaning of things are.
Jacob is living with his girlfriend, who also works for the U.S. Postal Service. They share a small apartment, in stark contrast to the large townhome Jacob once shared with his wife and 3 kids. Gabe, the youngest, was killed before Jacob went to Vietnam, and of course it still haunts him after coming back. As time goes by more and more strange things happen to Jacob, and talking with his Army buddies it’s apparent he’s not alone. He sees more and more ghost and demons, and only with the guidance of his chiropractor can Jacob start to realize what the truth might be, as well as what he needs to do to truly move on.
The last of the three movies I watched, I didn’t anticipate the emotion that this movie had, even more so than Adrian’s previous movies. As always beautifully lit and photographed, this movie also had the stellar performances of Woody Harrelson and Demi Moore; Robert Redford also gives a great performance of a confident and cocky rich man.
The premise for the movie, if you look at it on its own, is pretty ridiculous and out there. A rich man proposes to spend one night with a couple’s wife in exchange for a million dollars. While that’s a decent chunk of change, I can’t imagine any well-functioning couple would say yes. But of course this is a movie, and they agree. Harrelson regrets it as soon as Redford picks her up, while Moore is quite emotional but doesn’t show us that she doesn’t want to go along with it. Soon after it happens they fight and eventually separate. Moore does stay with Redford, at least until he slips up about the scheme. This is near the movie, and after leaving him Moore returns to where she and Harrelson met and fell in love, and we’re left with hope of reconciliation.
Somewhat unbelievable plot aside, it’s hard not to get sucked into this movie. Dynamic performances, beautiful lighting and photography, and a perfect music score all come together to make a very good movie.