Bandcamp find: Elder

I haven’t heard much about Elder in the past, but with their new release, Reflections of a Floating World, I start seeing more and more raving reviews. Listening to all of their albums on Bandcamp, I couldn’t believe I hadn’t heard of them until now, but also very happy I could now understand what the glowing reviews were going on about. Coming from most doom and even psychedelic rock, I would say Elder sits comfortably in the middle, with perhaps a sprinkle of progressive rock. Think of The Sword, but with a bit more consistency. While I could have purchased their newest release and started there, as I tend to do with most bands I discover, for some reason I liked the initial listen of Lore the best, so that’s what I’ve had playing in the car for most of the past two weeks. There’s not too much I don’t like about Elder, save for the vocals. First off, they’re mixed really low so I can’t hear nor understand what’s being sung. Also, they’re very short snippets; Elder songs are definitely not based around the lyrics. So why even have them at all? Other than this criticism, I’ve really enjoyed listening to Lore, and I plan to purchase the other albums before too long.


After looking through various metal bands’ biographies and other information, I learned that the current second guitarist in Iced Earth, Jake Dryer, is also a member of White Wizzard and the newly-formed Witherfall. I listened to their debut album, Nocturnes and Requiems, and I’m really digging it. Needless to say Jake’s playing is prominent on this album, and it’s nothing short of monstrous. He’ll either make you wanna practice guitar even more or just quit! Of course the guitar isn’t the only good thing on this album; the bass, drums, and even the vocals are all top-notch and fit perfectly for what I wanted in a metal album. Check them out!

Choosing a Synth … Still

Almost a year and a half ago I wrote an entry about possibly deciding on a new synthesizer to add to my little home studio. Well I never did, and since then have once in awhile tried to keep up with new releases, discontinued models, etc. to see if I could and would ever make a decision. So, compared to the list from the previous entry, how’s it looking now?


Out of all the synths I listed in my previous entry, there’s a few that I have removed from my list of considerations:

  • DSI Prophet 08 PE – this is still a great synth at a somewhat-good price, but the main reason I’m removing it from the list, as seen in the Additions section below, is because there’s a new REV2 model coming from DSI that’s replacing the Prophet 08!
  • Elektron Analog Keys – I just really don’t like the interface or the super-small screen.
  • Novation UltraNova – Similarly to the Analog Keys, I just don’t like the interface.
  • Waldorf Blofeld – Yet again, another synth that I don’t think has that great an interface, and with a possible still-buggy OS and questionable knob/encoder quality I don’t want to spend money on this.

Whew, that’s quite a few deletions from my list of considerations! So do I have that many additions to make up for them? Well let’s see…


DSI Prophet REV2 8-Voice

As mentioned above, DSI has recently unveiled the REV2 as the sucessor for the Prophet 08. It borrows design cues from the Prophet 06 and Pro2, including a really easy and logical face, as well as a nice (but still kinda small) OLED screen. Unlike the Prophet 06 and the OB-6, the REV2 maintains a 5-octave keybed rather than 4. It may mean more space taken up (although the pitch and mod wheels are above instead of beside), but it does give the most range. The REV2 comes in 2 versions (8- and 16-voice), and for my needs the 8-voice is plenty to work with (it’s also $500 less, and I have a feeling it’s gonna be easier to get for awhile than the 16-voice). This is really gonna be hard to pass up, even though its is a little higher priced (but like a Moog you’re paying for an American-made tank!).

Korg Minilogue

The Korg Minilogue has been wildly popular ever since it was announced. At $500 for a 3-octave, 4-voice analog polyphonic synthesizer, Korg impressed synth enthusiasts and seemed to finally have a worthy successor to the MS2000. The only negative I would give would be the slim keys, but at least it’s not mini keys! The Minilogue will be a really hard choice to pass up, not just due to its price but also its sound and features.

Moog Subsequent 37

The Sub 37 Tribute edition has been around for a little while now, and it’s only recently that Moog has decided to try and improve on it. The Subsequent is intended to be a very limited edition synth, but it does claim to make a few improvements. First is an improved keybed; second is a tweaked multidrive circuit and improved mixer headroom. Are these improvements worth the extra $300? That’s no small change for me, but if paying for an American-made classic synth, it’s really not that much more if I’d want the current best synth from Moog aside from the Model D. Of course by the time I might decide the Subsequent may already be discontinued.

Those Still on the List

Clavia Nord Lead A1

Nord has released many new Electro and Stage models in the past year and a half, but nothing has changed with their Lead line. That makes me fairly wary. Add in the fact that I’m not too happy with A1’s interface, and the Lead 4 hasn’t had a price drop since its release, this one is fairly low on my list. I still like its sound, its looks, and its stellar build quality. If I knew for sure I wouldn’t care about excessive programming and knob twiddling, then perhaps the A1 would be near or at the top of my list.

Moog Sub 37

Although I added the slightly revised Subsequent 37 in the Additions section, it’s not that different from the Sub 37. I do like the darker look of the Sub 37, and I really doubt the Sub 37’s keyboard is that much “worse” than the Subsequent’s. While still pricey for a mono-duophonic synth, there’s no doubt the build quality and sheer sonic bliss of a Moog!

Novation Bass Station II

It may “only” be a monophonic synth and just 25 keys, but it’s hard to argue how good a value the Bass Station II is at its price. Novation is also a pretty good company as far as support goes, at least that’s what I’ve heard. The interface is OK for some things, while deeper settings rely on using a Function button and the keys. I’m not sure this is near the top of the list, but it’s at least sitting comfortably in the middle.

Monophonic vs. Polyphonic

With the exception of the Moog Sub and Subsequent 37 and the Novation Bass Station II, all the synths on this list are polyphonic, ie able to make more than 1 sound at a time. As I like to play ambient and have decent piano-playing skills and knowledge of music theory, I know I would enjoy having a 4- or 5-octave keybed with the capability to fill the room with lovely lush sounds. Would it matter so much having a smaller keybed (in the case of the Bass Station II, a really really small and cramped keybed) and only able to make 1 sound at a time? Perhaps if I used a larger MIDI keyboard with Reason or another synthesizer I wouldn’t mind, but I think for having just 1 good synthesizer I need the polyphony. Now is the 3-octave keybed on the Minilogue too small, even though it’s “just” 4 voices? There’s no doubt I’d like that it wouldn’t take up as much space, and perhaps for my needs it could be enough room. I think I just have to weigh if it’s worth the money to jump from the $500 Minilogue to a $1500 REV2.

What About the DeepMind?

Some may read this entry, and note my affection for ambient and lush sounds, and wonder why the hell I don’t have the Behringer DeepMind 12 (or 6) in my list of considerations. There’s no doubt the massive value you get for the DeepMind, as far as number of keys, voices, and sheer amount of features for the money. What still nags me in the back of my mind is that it’s still a Behringer. Now yes, I do get a 2-year warranty through Sweetwater, and I know I’d be fully covered for anything in that time period. But because the DeepMind is still so new (the 6 isn’t even out yet), I just don’t know how reliable this synth would be longer-term. If more time passes and the reviews for the DeepMind are still pretty good, then I may indeed have to consider putting it on my list.

Seven Kingdoms

I had heard about Seven Kingdoms long ago when they were on Century Media, and they had recorded the album Seven Kingdoms at Morrisound Recording in Florida, where Iced Earth had recorded many of their albums. As the years passed they fell off my radar, even though they released another album, Fire Is Mine, in the meantime.

Well, for whatever reason I recently remembered about them and went looking to see what had happened to them, and lo and behold they are now signed to Napalm Records. I’m not sure how long they’ve been on that label, but this month they have a new album out, Decennium. While some of the members have changed, Sabrina is still the powerful frontwoman and her vocals sound just as incredible as ever! I’ve missed listening to power metal such as this, and I’m really glad they’re still releasing new material and re-invigorating the power metal genre.

Seas of Infinity

One of the albums that I’m happy to go back and listen to is Mega Drive’s 198XAD. It’s very atmospheric while always staying in your face, and it never lets up until the end. Well Mega Drive is back with Seas of Infinity, released through Lakeshore Records (also home to the amazing Mr. Robot and Stranger Things soundtracks!). There’s some definite evolution and growth, but it’s still his signature sound; you can’t mistake the hectic yet somehow structured chaos that is the very essence of Mega Drive.